I then asked Fable to compare it to the open source version I'd downloaded from Mutopia, which it promptly ripped apart. No sustain, zero rubato, upside down balance.
Ok, what about the version I'd just bought?
The PianoDisc versions are mp3s encoded with the right channel carrying MIDI to be played on the piano, and the left channel containing any accompanying music to be played through attached speakers (who doesn't want the harmonica on Piano Man?)
I gave the mp3 to Fable, which promptly decoded the format, identifying the right channel carrying MIDI using a 2004.5 Hz square wave.
It then went on to analyze the nuance of pedal lift and melody relative to the chords.
Fable then asked if I wanted it to build an encoder to write my own MIDI files into the right channel of mp3s.
Sounds great, and I instructed it to write the encoder.
What it came back with was a python encoder PLUS a decoder.
In the verbose explanation, it mentioned decoy notes.
Curious, I asked it to explain the decoy notes.
Apparently PianoDisc adds obfuscation into their format which is handled properly by their decoder, but would leave naively extracted MIDI unplayable on other systems.
Fable created an encoder which adds those decoy notes, and a decoder which removes them.
Am I allowed to publish the decoder? The encoder?
If you live in Europe, this restriction may be considered "gatekeeping" and exempted by the Digital Markets Act.
Don't bring attention to yourself by asking for permission. Publish your codec, and if the company cares about this they will send a cease and desist.
If you want the world to benefit from your code but you don't want to be responsible for it, try to adapt the codec to ffmpeg. The ffmpeg project is used to dealing with these matters, and will keep your codec working for eternity.
That's not how the DMA works at all, there is no concept of gatekeeping practices. Instead, the EU Commission designates companies that act as gatekeeper for some services (current list here: https://digital-markets-act.ec.europa.eu/gatekeepers-portal_...) which then puts constraints on what they do.
[Pirate flag emoji here]
You could also create a text document instead of a software that details the mechanism used to fool other MIDI decoders and publish only that (for now).
Finally, familiarize yourself with the Art. 6 Software Directive (2009/24/EC) / §69e UrhG — decompilation for interoperability. It may be your ticket for a legal status in Germany/EU.
I really hope not. My understanding is that to be "effective" it needs to at least be a form of encryption with a secret key. At least, I'm not aware of any case law that allowed anything less than that.
IMO, "dummy notes" are nothing more than a form of obfuscation. If it's obvious how to filter them out, then I don't think it comes close to meeting the bare minimum of what might count as an "effective technical measure".
Of course, who knows what way the courts will rule if it ever reached that far.
Anti-SLAPP laws exist for a reason, and if corps can bully anyone, how is it that corps routinely lose lawsuits on either side of the docket, hmmmm?
Keep licking that corporate boot, folks. Corps send C&Ds because they cost them all of maybe $100-200 and they're so effective.
There is a long road between "got a C&D" and "am getting sued." Among other things, a judge is going to want to see that both sides attempted to negotiate. If the company sending the C&D just demands that and then tries to file suit, the judge is going to tell them to go back to step 2 and stop bothering him/her.
Folks, stop telling people that if they get a C&D they have to just fold. Good chance you never hear from them again because the cost of suing you is nowhere near the damages they will be able to prove in court.
Sometimes!
Just release the code somewhere, anonymously, it isn't yours anyway.
"Get some small amount of bitcoin and pay a VPS hosting provider in Moldova for a year's service on a $15-per-month equivalent KVM VM and put what you know on there anonymously as static content, then publish the link here."
Not that a sufficiently dedicated nation state federal crime agency or intelligence apparatus probably couldn't trace back to you, but it raises the bar for something like random civil lawsuits from piano companies.
> The dataset contains about 200 hours of paired audio and MIDI recordings from ten years of International Piano-e-Competition. The MIDI data includes key strike velocities and sustain/sostenuto/una corda pedal positions. Audio and MIDI files are aligned with ∼3 ms accuracy and sliced to individual musical pieces, which are annotated with composer, title, and year of performance. Uncompressed audio is of CD quality or higher (44.1–48 kHz 16-bit PCM stereo).
If it matters, ask your lawyer.
If it doesn't matter, it doesn't matter.
Or to put it another way, trademarks (you've mentioned two) and copyrights (it's a crapshoot) are complex. And in some jurisdictions (notably the US) anybody can sue anyone for anything.
Your risk aversion is yours, not someone else's. Your financial and legal wherewithal is likewise yours.
That should be the case in all jurisdictions. The justice system exists so that, if I feel treated unfairly, I can go to the state to settle the question whether/how much that is true. If there are issues where I cannot go to court, what am I supposed to do? Go fight you over the issue?
What differs (a lot) is how effectively the system rejects frivolous/unjust cases, how much time/money it costs you to defend yourself against remaining claims, and what systems there are to prevent people from going to court (having affordable care will prevent people from taking some medical claims to court; obligatory car insurance means most fender bender cases get handled by insurance companies, etc(
Or sue your ass…or file a DCMA takedown with Github.
Or all of the above.
The best likely outcome is probably “no.”
Because they have lawyers and that’s what lawyers do.
If you really really want to share the information, you might write a blog post with technical details without linking to any code. Sharing the blog to the “Facebook group” will let you assess community and corporate interest and make an informed decision.
Keep in mind that they could say yes and still do all that bad stuff anyway.
If you do this, I can nearly guarantee they will either never respond as a best case scenario, or they will object.
There is effectively zero chance a company would give you any indication that you have their blessing. Even if they don't actually care one way or another they will make the assumption that giving you any kind of positive response is nothing but a negative for themselves in terms of future liability, etc
The phrase that it is "better to ask for forgiveness than permission" exists because of situations like the one you're in.
Just publish the repo. Don't contact them. If they C&D you, take it down if you don't want to deal with the legal repercussions.
For all the same reasons that it is easy to predict how they will react if you ask, it is easy to predict how they will react if you don't and they find the repo and object. They will send you a cease and desist letter telling you to take the repo down. You will then take the repo down and face no other legal action because it will not be worth their time to make any bigger deal of it than that.
It is better to ask forgiveness than permission.
Now its likely soiled and I have to throw it away. Doh! I asked it about legality and it went "its almost green" but when googling, reverse-enginnering like that seems very illegal.
The weird thing is in this case, it could have pretty easily gotten the needed info from using the code as a black box, and that is apparently legal!
https://en.wikipedia.org/wiki/Erik_Satie
Also, when you bought from PianoDisc, did you agree to abide by a certain jurisdiction's laws in your use of PianoDisc? And did you explicitly agree to not share any sort of decoder/encoder in any ToS?
https://store.pianodisc.com/pages/terms-of-service-and-condi...
I don't see details about them mentioning and decoder or encoder.
IANAL. But I think reverse engineering their data structure, identifying a security measure - even one as weak as obfuscation, and publishing code to circumvent it is clearly against your license.
If the security measures exist in plain sight, as they apparently do, are they allowed to be discussed?
I reckon that if OP posts the encoder/decoder software that'd be against some sort of license clause. However in the age of AI who cares about the software at this point? Anyone can prompt their own private version into existence.
Just thinking out loud here. I have not considered AIs use as personal "cheat engines".
This decoy notes scheme seems pretty unethical.
If you sell your decoder or encoder the company will, eventually, kick your butt. Getting money involved raises the stakes.
If you distribute a file that is sold by the company, even if it was transformed by a decoder, the company will, eventually, kick your butt. (A recording or sample of how it sounds post-transformation for demonstration purposes would be reasonable.)
If your software requires files that must be paid for in order to function, then it’s critical that you do not bundle those files with your decoder or encoder. That would be piracy.
How your software was made matters. Did you have access to non-public information about anything involved? It seems like the answer is no, so you might be fine. It sounds like you legally obtained a copy of the file, hardware that runs it, and figured out how they work.
What terms of service did you agree to? While not everything listed may hold up in court (which gets determined BY a court IN a court so don’t think that’s an easy win), the company is surely within their rights to ban you from their online service.
If you want some relevant legal advice, check out the GameCube Dolphin emulator and how the team stays legal. I love learning about how stuff works, so I’ve followed lots of console jailbreaking and reverse engineering news for years. There is a way to do this stuff legally. HN is focused more on finance than hacking. So talk to some hackers (who aren’t trying to break the law).
I saw you ask about contacting the company. If this was a blog, I’d love a followup about what they say and do, but alas I’ll probably never see it. (I guess the worst outcome is that they spend more money on making their proprietary stuff more locked down?) Regardless of what they say, their word is not the law. Know the law, know your rights, and know when it’s safe to stick your neck out and when it’s not. I am obviously not a lawyer.
Oh, and which US state you are in and what they are based in will be relevant.
On a serious note: reverse engineering is legal in australia, even for DMCA violations.
I was under the impression thr prescedant was:
Data Access Corporation v Powerflex Services Pty Ltd (1999), alongside specific provisions in the Copyright Act 1968.
The australian DMCA is called the TPM, it's more aimed at Bypassing, decrypt, or circumvent a digital lock or DRM (Digital Rights Management) protecting copyrighted material.
I do not think that phantom notes are encryption or rights management.
If you do your hosting in australia for your code/software, the US companies will probably have a bad time trying to convince the australian courts that access is the same as copyright infringement.
I'm not a lawyer, but i'll be damned if the 'vibe of it' shouldn't be a legal defense.